ZigZag Education House Style for Foreign Musical Terms
These conventions for foreign terms and terms of foreign origin are to be used both in musical scores and within the text of teaching resources.
For terms marked with a ☆, the use of either italics or non-italics is common, so don't apply house style if italicisation is used consistently.
- Expression (italicise)
- Dynamics (italicise)
- Tempo (italicise)
- Instruction and information (don't italicise)
- Technique (don't italicise)
- Names of musical symbols (don't italicise)
- Forms, styles and genres (don't italicise)
- Names of sections and movements (don't italicise)
- Names of instruments, voices, instrumentalists and parts (don't italicise)
- Miscellaneous (don't italicise)
- Other (e.g. prepositions) (treat in the same way as the word/s it appears with)
Italicise
Don't Italicise
Treat in the Same Way as the Word/s it Appears With
Expression (italicise) |
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Term |
Origin |
Definition |
8va / 8vb ☆ | Italian | play an octave higher/lower |
ad libitum / ad lib | Latin | at choice, meaning that a passage may be played freely |
affettuoso | Italian | tenderly |
agitato | Italian | agitated |
al / alla | Italian | to the, in the manner of |
allargando | Italian | broadening (getting a little slower and, probably, louder) |
amabile | Italian | amiable, pleasant |
amore | Italian | love (amoroso – loving) |
anima | Italian | soul, spirit |
animando | Italian | becoming lively |
animato | Italian | animated, lively |
animé | French | animated, lively |
appassionato | Italian | with passion |
assai | Italian | very |
assez | French | fairly, enough, sufficient |
ausdruck | German | expression |
ben | Italian | well |
bewegt | German | with movement, agitated |
breit | German | broad, expansive |
brio | Italian | vigour |
calando | Italian | getting softer, dying away |
cantabile | Italian | in a singing style |
cantando | Italian | singing |
cédez | French | yield, relax the speed |
come | Italian | as, similar to (come prima – as before; come sopra – as above) |
comodo | Italian | convenient, comfortable |
deciso | Italian | with determination |
delicato | Italian | delicate |
dolce | Italian | sweet, soft |
dolente | Italian | sad, mournful |
dolore | Italian | grief (doloroso – sorrowful) |
douce | French | sweet |
einfach | German | simple |
en dehors | French | prominent (a direction to make a melody stand out) |
energico | Italian | energetic |
espressivo / express. / espr. | Italian | expressive |
estinto | Italian | as soft as possible, lifeless |
etwas | German | somewhat, rather |
facile | Italian | easy |
forza | Italian | force |
fröhlich | German | cheerful, joyful |
fuoco | Italian | fire; con fuoco: literally 'with fire' |
giocoso | Italian | playful, merry |
grazioso | Italian | graceful |
immer | German | always |
l'istesso | Italian | the same (l'istesso tempo – the same speed) |
lacrimoso | Italian | sad |
largamente | Italian | broadly |
légèrement | French | light |
leggiero | Italian | light, nimble |
loco | Italian | at the normal pitch (used often to cancel an 8va direction) |
lunga | Italian | long (lunga pausa – long pause) |
lusingando | Italian | coaxing, in a sweet and persuasive style |
maestoso | Italian | majestic |
marcato / marc. | Italian | emphatic, accented |
marziale | Italian | in a military style |
meno | Italian | less |
mesto | Italian | sad |
mezzo | Italian | half |
misura | Italian | measure (alla misura – in strict time; senza misura – in free time) |
moderato | Italian | moderately |
moins | French | less |
molto | Italian | very, much |
morendo | Italian | dying away |
mosso / moto | Italian | movement |
niente | Italian | nothing |
nobilmente | Italian | nobly |
perdendosi | Italian | dying away |
pesante | Italian | heavy |
peu | French | little |
piacevole | Italian | pleasant |
piangevole | Italian | plaintive, in the style of a lament |
più | Italian | more |
plus | French | more |
pochettino / poch. | Italian | rather little |
poco | Italian | a little |
possibile | Italian | possible (presto possibile – as fast as possible) |
prima / primo | Italian | first |
quasi | Italian | as if, resembling |
retenu | French | held back (en retenant – holding back, slowing a little) |
rinforzando / rf / rfz | Italian | reinforcing |
risoluto | Italian | bold, strong |
ritmico | Italian | rhythmically |
ruhig | German | peaceful |
scherzando / scherzoso | Italian | playful, joking |
seconda / secondo | Italian | second |
sehr | German | very |
semplice | Italian | simple, plain |
sempre | Italian | always |
simile / sim. | Italian | in the same way |
smorzando / smorz. | Italian | dying away in tone and speed |
sonoro | Italian | resonant, with rich tone |
sostenuto | Italian | sustained |
subito | Italian | suddenly (often used with a dynamic marking, e.g. subito piano) |
süss | German | sweet |
tanto | Italian | so much |
teneramente / tenerezza | Italian | tenderly, tenderness |
tenuto | Italian | held |
tranquillo | Italian | calm |
traurig | German | sad |
très | French | very |
triste / tristamente | Italian | sad, sorrowful |
troppo | Italian | too / too much |
veloce | Italian | swift |
vif | French | lively |
vite | French | quick |
vivace / vivo | Italian | lively, quick |
voce | Italian | voice |
voll | German | full |
volta | Italian | time (prima volta – first time) |
wenig | German | little |
wieder | German | again |
zart | German | tender, delicate |
Dynamics (italicise) |
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Term |
Origin |
Definition |
crescendo / cresc. | Italian | gradually getting louder |
decrescendo / decresc. | Italian | gradually getting quieter |
diminuendo / dim. | Italian | gradually getting quieter |
f / forte | Italian | loud |
ff / fortissimo | Italian | very loud |
fz / forzando / forzato | Italian | similar to sforzando; a strong accent |
mf / mezzo forte | Italian | moderately loud |
mp / mezzo piano | Italian | moderately quiet |
niente | Italian | fading away to nothing |
p / piano | Italian | quiet |
pp / pianissimo | Italian | very quiet |
fp / fortepiano | Italian | loud, then immediately soft |
sf / sfz / sforzando / zforzato | Italian | forced, accented |
sotto voce | Italian | in an undertone, i.e. very quietly |
Tempo (italicise) |
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Term |
Origin |
Definition |
accelerando / accel. | Italian | gradually getting quicker |
adagietto | Italian | rather slow (faster than adagio) |
adagio | Italian | slow |
affrettando | Italian | hurrying |
alla breve | Italian | with a minim beat, equivalent to 2/2, implying a faster tempo than the note values might otherwise suggest |
allegretto | Italian | fairly quick (but not as quick as allegro) |
allegro | Italian | quick |
andante | Italian | at a medium (walking) speed |
andantino | Italian | slightly faster than andante |
a tempo ☆ | Italian | speed, time (a tempo – in time) |
doppio movimento | Italian | twice as fast |
giusto | Italian | proper, exact (tempo giusto – in strict time) |
grave | Italian | very slow, solemn |
incalzando | Italian | getting quicker |
langsam | German | slow |
larghetto | Italian | rather slow (not as slow as largo) |
largo | Italian | slow, stately |
lebhaft | German | lively |
lent | French | slow |
lento | Italian | slow |
mässig | German | at a moderate speed |
modéré | French | at a moderate speed |
presser | French | hurry (en pressant – hurrying on) |
presto | Italian | fast |
ralentir | French | slow down |
rallentando / rall. | Italian | gradually getting slower |
ritardando / rit. | Italian | gradually getting slower |
ritenuto / rit. | Italian | held back |
rubato / tempo rubato | Italian | with some freedom of time |
schnell | German | fast |
stringendo | Italian | gradually getting faster |
tempo primo☆ | Italian | original tempo |
tosto | Italian | swift, rapid |
volante | Italian | flying fast |
Instruction and information (don't italicise) |
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Term |
Origin |
Definition |
attacca | Italian | go straight on to the next section of music |
colla voce | Italian | instruments follow vocal part |
da capo / D.C. | Italian | repeat from the beginning |
dal segno / D.S. | Italian | repeat from the sign |
divisi | Italian | divided (instruments/voices in a section of the ensemble divide into two or more groups playing different parts) |
fermata | Italian | a pause |
fine☆ | Italian | the end |
non divisi | Italian | not divided (every player in a particular orchestral part plays all the notes of a chord) |
segue | Italian | go straight on |
simile | Italian | in the same way |
tasto solo | Italian | (Baroque music) an indication to the keyboard player not to add any chords to the bass line |
tutti | Italian | all parts play |
volti subito / V.S.☆ | Italian | turn the page quickly |
Technique (don't italicise) |
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Term |
Origin |
Definition |
arco | Italian | play with the bow |
arrestre | a bowing technique used in tango to increase the speed of bowing; often features in the double bass part | |
birimintingo | precise origin uncertain | improvised melodic runs played on a West African stringed instrument called the kora |
chicharra | Spanish | a technique used in tango by the violinist to represent the sound of a cicada insect; the strings are played heavily behind the bridge using the bow |
col legno | Italian | with the wood of the bow (string players) |
coloratura | Italian | elaborate ornamentation in vocal music (also a soprano with a very high, agile voice) |
con pedale | Italian | with pedal |
con sordino | Italian | with mute |
embouchure | French | the way in which a brass or wind instrumentalist applies their mouth to the mouthpiece of the instrument |
falsetto | Italian | a very high register of the voice (usually a male singer's), beyond the normal range |
flageolet register | French | the register above falsetto; the female equivalent of the male falsetto register |
glissando | Italian | played as a smooth or stepped slide between two notes |
legato | Italian | smoothly |
latigo | Spanish | a rapid glissando used in tango to represent the sound of a whip |
mano destra / m.d. | Italian | play with the left hand |
mano sinistra / m.s. | Italian | play with the right hand |
parlando | Italian | a vocal technique that sounds like sung speech |
pizzicato | Italian | plucked (string players) |
portamento | Italian | slide pitch from one note to another |
rasgueado | Spanish | a guitar technique used in flamenco that involves rapid strumming |
sirena | Spanish | in tango, a slow descending glissando on the violin, played on two strings |
Sprechgesang / Sprechstimme | German | a vocal technique that produces a sound that is somewhere between singing and speaking |
staccato | Italian | detached articulation |
staccatissimo | Italian | very detached articulation |
sul ponticello | Italian | play on the bridge (string players) |
sul tasto | Italian | play near the fingerboard (string players) |
sur la touche | French | French for 'sul tasto': play near the fingerboard (string players) |
tambor | Spanish | a form of percussive pizzicato used in tango |
tremolo / tremolando | Italian | trembling effect |
una corda | Italian | use the soft pedal (piano) |
vibrato | Italian | a quick, minor variation in pitch in singing or playing, producing a richer tone |
Names of musical symbols (don't italicise) |
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Term |
Origin |
Definition |
appoggiatura | Italian | a grace note that takes part of the main note's value |
acciaccatura | Italian | a grace note that is played as quickly as possible |
fermata | Italian | a pause |
Forms, styles and genres (don't italicise) |
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Term |
Origin |
Definition |
a cappella | Italian | music where a voice or voices perform without accompaniment |
bel canto opera | Italian | Italian opera from the early nineteenth century |
ballade | French | a technically demanding Romantic piano piece in one movement; Chopin is one of the main composers of this genre |
bhangra | Punjabi | traditional Indian music and dance from the Punjab, or popular music influenced by Punjabi music |
bolero | Spanish | in Cuban music, a romantic song with a moderate tempo and a simple duple or quadruple metre; in European music, a dance with a triple metre |
bossa nova | Portuguese | a style of Brazilian music used in some popular genres from the 1950s onwards |
cantata | Italian | a secular or sacred vocal composition in several movements, usually from the Baroque era; smaller in scale than an oratorio or opera |
cantus firmus | Latin | a pre-existing melody that is used as the basis for a contrapuntal composition |
chaconne | French | a Baroque dance with a triple metre and ground bass |
concertante | Italian | ensemble works involving extended instrumental solos in a similar manner to a concerto |
concerto | Italian | |
concerto grosso | Italian | A Baroque genre; sections for the ripieno (the orchestra) alternate with passages for the concertino (a small group of soloists). For plural form use 'concerto grossos'. |
divertimento | Italian | a term used by Classical composers to describe various light-hearted pieces, including work that would now be described as chamber music, sonatas or concertos |
duo sonata | Italian | from the late Classical era onwards, a work in several movements for two instruments (one of which is usually the piano) that play an equal role |
empfindsamer Stil | German | 'sensitive style'; an early Classical German style that was less ornamented and more chromatic than the style galant |
fado | Portuguese | a Portuguese ballad with modal melodies and a simple triple or quadruple metre |
fugato | Italian | |
fugue | from French/Italian | a highly contrapuntal movement; t the opening of a fugue, the different voices or instruments enter one at a time, playing the subject (theme) at different pitches. |
gigue | French | Baroque dance in compound time, often used in the last movements of suites and sonatas |
habanera | Spanish | a dotted dance rhythm that originated in Cuban and South American music |
isicathamiya | Zulu | an 'a cappella' choral genre from South Africa |
khorovod | Russian | a Russian round dance |
lied (plural lieder) | German | a song from the Romantic era with German text; usually scored for solo voice and piano |
mazurka | Polish, via German | a lively Polish dance in simple triple time, with an accent on the second or third beat of the bar |
mbaqanga | Zulu | A jazz/Zulu fusion genre from South Africa |
mélodie | French | song for solo voice and instrumental accompaniment with French texts, equivalent to the German lied |
Moritat | German | a medieval song about murder |
musique concrète | French | music that uses raw sounds in its composition |
nuevo tango | Latin American Spanish | a form of tango developed by Piazzolla in the 1950s, with new instruments, and harmonic and melodic structures |
opera buffa | Italian | a comic Italian opera with recitatives |
opera seria | Italian | an Italian opera with recitatives, a serious plot and noble or mythic characters |
oratorio | Italian | a sacred composition for vocal soloists, choir and orchestra |
oratorio latino | Italian | an oratorio with a text in Latin; it usually consists of a single movement |
passacaglia | Italian | a Baroque composition with a slow triple metre; it was structured around variations over a ground bass |
polonaise | French | a slow Polish dance in simple triple metre |
prelude | French | |
prima prattica | Italian | a term used by Monteverdi to describe an early Baroque style influenced by the polyphonic textures and modal tonality of the Renaissance |
recitativo accompagnato | Italian | a passage of speech-like singing with accompaniment from the string section |
recitativo secco | Italian | a passage of speech-like singing with accompaniment from a harpsichord |
ritornello form | Italian | A musical structure in which a recurring passage, known as a ritornello, is played between passages of new material, taking the structure R-A-R-B-R-C-R |
rondo | Italian | |
rondo form | Italian | a structure based around a repeating theme that alternates with contrasting episodes; the theme remains in the tonic key throughout |
samba | Portuguese | |
salsa | American Spanish | a fusion genre that combines elements of traditional Cuban music with contemporary styles such as jazz |
samba-de-batucada (or just batucada) | Brazilian/Portuguese | African-influenced percussive style usually performed by an ensemble |
samba-canção | Brazilian/Portuguese | popular songs with a slow paced samba rhythm |
sarabande | French | A courtly dance from the Baroque period. It was characterised by a slow tempo, triple metre, and an emphasis on the second beat of the bar. |
seconda prattica | Italian | a style developed by Monteverdi; key features are simple vocal lines, word painting, lyrical melodies and a freer treatment of dissonance |
siciliana | Italian | in the Baroque era, a movement with a slow tempo, compound metre and lilting rhythms; often used to evoke pastoral scenes |
sinfonia | Italian | |
simultaneous quodlibet | Latin | a song where two or more pre-existing melodies are sung at the same time |
Singspiel | German | an opera with German words, and spoken dialogue instead of recitative |
solo concerto | Italian | a composition for instrumental soloists and orchestra |
son | Spanish | a Cuban song with a prominent guitar part and rhythmic accompaniment |
Sturm und Drang | German | 'storm and stress'; a precusor of the Romantic style, defined by contrasts of tonality and dynamics, and intense orchestral effects |
style galant | French | an early Classical style; defined by melody and accompaniment textures, and simple tonic and dominant harmonies |
sonata | Italian | a piece of instrumental music (not to be confused with sonata form) |
tango | Latin American Spanish | a genre of traditional music from Argentina; usually has simple duple or simple quadruple metre and syncopation |
toccata | Italian | Literally "to touch", a toccata is a fast piece of music for a keyboard instrument such as the piano or organ |
trio | Italian | When used in the context of vocal music, a trio is a vocal piece for three solo singers |
zydeco | French Creole, Louisiana | A style of fast-paced blues fusion music that emerged in creole (African/French mixed-race) communities in the southern states of America |
Names of sections and movements (don't italicise) |
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incl. tempo markings or terms of expression used as section names (e.g. the Allegro, a scherzo, a stretto) |
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Term |
Origin |
Definition |
Agnus Dei | Latin | the fifth section of the Ordinary of the Mass; it is a plea to Jesus for mercy |
alap | Hindi | the opening section of a traditional Indian piece; the raga is introduced through improvisation in free time |
aria | Italian | a lyrical passage for a vocal soloist in an opera or oratorio; often emotionally expressive and accompanied by the full orchestra |
aria di bravura | Italian | in late Baroque and Classical opera, an aria with a highly virtuosic vocal part that enables the singer to show off their technique |
Benedictus | Latin | a portion of the Mass that blesses people who follow God; it is usually closely associated with the Sanctus |
buffo aria | Italian | an operatic aria for a comic character of low social status |
cadenza | Italian | a technically challenging, virtuosic passage for a soloist, often located at the end of a movement |
coda | Italian | a passage used at the end of a movement to make it sound finished |
codetta | Italian | a short concluding passage that appears at the end of a section of a movement, such as the end of the exposition in sonata form |
Credo | Latin | the third movement of the Ordinary of the Mass; the text is a declaration of belief in God |
Dies Irae | Latin | a movement in a requiem; the text refers to the terror of Judgement Day |
Gloria | Latin | a movement in a Mass or requiem; the text praises the glory of God |
idée fixe | French | a term invented by Berlioz to describe a theme that is repeated and transformed over the course of a musical work |
intermezzo | Italian | an instrumental interlude between acts or scenes in an opera / an instrumental piece used either as an interlude between movements in a larger work or as a stand-alone character piece |
Liber Scriptus | Latin | a section of the Dies Irae set as a separate movement in some requiems; the text is about the book of judgement |
Magnificat | Latin | a hymn of Mary's from the Bible, performed as part of the vespers and evensong services |
moto perpetuo | Italian | 'perpetual motion'; a piece or section of music featuring fast, repeated rhythms consisting of notes of equal length; also known as perpetuum mobile |
perpetuum mobile | Latin | 'perpetual motion'; a piece or section of music featuring fast, repeated rhythms consisting of notes of equal length; also known as moto perpetuo |
Quid sum Miser | Latin | a section of the Dies Irae set as a separate movement in some requiems; the text asks who to appeal to for salvation on Judgement Day |
Rex Tremendae | Latin | a section of the Dies Irae used as a separate movement in some requiems; the text praises God and is a prayer for salvation |
ritornello | Italian | in a concerto, a main theme that is stated at the start of a movement and repeated at intervals throughout |
Sanctus | Latin | the fourth section of the Ordinary of the Mass; the text declares that God is holy |
Tuba Mirum | Latin | a section of the Dies Irae used as a separate movement in some requiems; the text is about the moment when a trumpet sounds to summon people's spirits before God |
Names of instruments, voices, instrumentalists and parts (don't italicise) |
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alto | Italian | a low female voice |
balalaika | Russian | a Russian instrument like a guitar but triangular in shape |
basso continuo | Italian | a bass line with numbers under it; the bass line is played by the cello; the numbers indicate chords played on a harpsichord or organ |
bodhrán | Irish Gaelic | an Irish drum used in some folk music |
bouzouki | Greek/Turkish | a plucked string instrument from Greece; it's a type of lute, similar to a mandolin |
celesta | pseudo-Latin from French | a keyboard instrument with a high register and bright timbre |
cembalo | Italian | a harpsichord |
coloratura | Italian | a soprano with a very high, agile voice (also elaborate ornamentation in vocal music) |
concertino | Italian | a group of instrumental soloists in a Baroque concerto grosso or related composition |
cor anglais | French | a woodwind instrument that sounds like an oboe but has a lower register |
cori spezziati | Italian | choirs located in different parts of a church, often used for antiphonal singing in Monteverdi's music |
coro | Spanish | the backing vocals in Cuban music |
cuatro | Spanish | a small guitar used in South American and Cuban music |
dhol | precise origin uncertain | a double-headed Indian drum |
duduk (plural duduki) | Armenian, from Turkish | 'wind pipe'; a traditional double-reed instrument common in the music of Armenia and neighbouring countries |
fortepiano | Italian | an early piano used in the Classical era; the range is narrower and the tone softer than those of the modern piano |
gamelan | Javanese | Indonesian percussion ensemble consisting of gongs and other metal instruments, or music for such an ensemble |
glockenspiel | German | a pitched percussion instrument with a high register |
guiro | Spanish | a Latin American percussion instrument that is scraped using a beater |
mezzo-soprano | Italian | a moderately high female voice (between soprano and contralto) |
obbligato | Italian | an indispensable musical part; often played exactly as written, rather than ad lib |
oboe da caccia | Italian | a member of the Baroque oboe family, pitched a fifth below the modern oboe |
oboe d'amore | Italian | a member of the oboe family with an alto register; used by composers in the eighteenth and twentieth centuries |
ondes martenot | French | an early electronic instrument sometimes used in compositions by Messaien; can be played either with a keyboard or by sliding a metal ring along a wire to produce distinctive portamento effects |
orquesta típica | Spanish | the ensemble that plays tango; usually contains a double bass, a piano, and one or more violins and bandoneons |
pregón | Spanish | the lead local part in Cuban music |
ripieno | Italian | the group of orchestral players in a Baroque concerto grosso or related composition |
sarangi | precise origin uncertain | a bowed, stringed instrument common in Punjabi and Hindustani music |
soprano | Italian | a high female voice |
tabla | precise origin uncertain | an Indian instrument consisting of a pair of drums |
tumbi | Punjabi | an instrument with one string from the Punjab region of India |
viola da gamba | Italian | A bowed and fretted string instrument played on the leg (da gamba). It was used mainly during the Renaissance and Baroque periods. Use 'viola da gambas' for the plural form. |
violino piccolo | Italian | in the Baroque era, a small violin, pitched a third higher than the standard violin |
violone | Italian | a Baroque stringed instrument similar to a cello |
Miscellaneous (don't italicise) |
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Term |
Origin |
Definition |
Affekt | German | especially in music of the Baroque era, the use of rhetorical/stylistic devices to represent emotion – there tends to be one main emotion/mood per movement |
altissimo | Italian | the highest register of a woodwind instrument or voice |
anacrusis | Latin from Greek | unaccented melody notes that precede the first, main beat of the bar |
arpeggio | Italian | a form of broken chord in which the notes of the chord are played ascending/descending order |
chaal | in Punjabi music, a repeated rhythmic pattern similar to a Western dotted or crotchet-quaver feel | |
chalumeau | French | the lowest register of a clarinet |
clarion | French | the middle register of a clarinet |
échappée | French | 'escaped note' – a note going in the opposite direction from the progression in a stepwise melody | Fortspinnung | German | a common device in Baroque music whereby a few motifs are 'spun out' to create the melody of an entire movement through the use of musical devices such as inversion, sequence, augmentation and diminution |
guajeo | Spanish | an ostinato melody in Cuban music, constructed of syncopated broken chords |
kumbengo | precise origin uncertain | repeated ostinato riff patterns, when played on a West African stringed instrument called the kora |
leitmotif | German (Leitmotiv) | especially in opera or musical theatre, a short theme with dramatic significance that is repeated across the course of a work | libretto | Italian | the text of an opera or other vocal work |
milonga | South American Spanish from Brazilian Portuguese | a venue or event where tango is danced; also a dance style or a section within a tango piece |
ostinato | Italian | a repeating musical phrase |
passagio | Italian | the notes that are on the boundary between the different parts of a singer's range |
raga | Sanskrit | (sometimes rag or raag) the pitch structures used as the basis for improvisation in Indian classical music |
solo | Italian | an instruction for an instrument that normally plays the same part as other instruments of the same type plays on its own; or a section of a piece that highlights an individual instrument or voice |
tala | Sanskrit | a rhythmic pattern used in Indian classical music borrowed by some rock or pop bands |
terzetto | Italian | a vocal/instrumental trio |
tessitura | Italian | the range of a voice or instrument |
tierce de Picardie | French | a major third in the final chord of a piece in a minor key |
Other (e.g. prepositions) (treat in the same way as the word/s it appears with) |
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Term |
Origin |
Definition |
a | Italian | at, to, by, for, in the style of |
à | French | to, at |
aber | German | but |
avec | French | with |
con / col | Italian | with |
e / ed | Italian | and |
ein | German | a, one |
et | French | and |
ma | Italian | but |
mais | French | but |
mit | German | with |
nicht | German | not |
non | Italian | not |
non | French | not |
ohne | German | without |
ossia | Italian | or, alternatively |
senza | Italian | without |
sans | French | without |
sopra | Italian | above |
sotto | Italian | below (sotto voce – in an undertone) |
un / une | French | one |
und | German | and |
zu | German | to, too |