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Pope, Alexander

Alexander Pope is one of the most famous English poets of all time. Born on 21st May 1688 in London, he is best known for his verse satires such as ‘The Rape of the Lock’.

Pope suffered a difficult youth. His father, a textile merchant, and his mother were devout Catholics, and Pope lived at a time when Catholicism had essentially been outlawed. This affected his education somewhat, because Catholic schools were illegal. The Popes' solution was first to teach their son themselves, and later to send him to clandestine Catholic schools, one of which he was expelled from for writing a satire on a teacher. Despite the obstacles to his formal education, Pope was prodigiously intelligent and well-read and later claimed that he began writing poetry aged 12. His precocity can perhaps be linked to the bouts of ill health he experienced in his youth, when he contracted a TB-like illness that led to stunted growth and deformity and left him largely housebound.

In 1700, Pope and his family were forced to move to Binfield, Berkshire, due to a new statute that banned Catholics from living within 10 miles of London. Ten years later, when Pope was just 22, his first poem 'The Pastorals' was published. Unusually, he achieved instant fame. 'The Pastorals' was followed a year later by the biting satirical piece ‘An Essay on Criticism’, which showcased Pope's stunning precocity. Pope wrote many of his most famous pieces, including ‘The Rape of the Lock’ and ‘Eloisa to Abelard’, while still in his twenties, and achieved the remarkable feat of having his first collected works published in 1717, when he was 29.

Pope was a lifelong lover of Homer, and between 1715 and 1720 he released his own translation of Homer's Iliad. It was massively successful, both critically and with the public. Pope had negotiated a deal with a publisher that gave him an advance for each instalment, which was at the time an unusual practice and led to Pope becoming the first English poet who was able to make a living from selling his works rather than receiving a retainer from a patron or patrons.

Pope's first version of his satirical poem The Dunciad was published in 1728. The poem attacked and pilloried many contemporary political and literary figures, including some of those who had attacked Pope's work, in particular his editions of Shakespeare. Although Pope had always been an immensely popular, sociable and likeable character with many friends and allies, the scathing satire of The Dunciad made him a number of enemies, and he apparently was nervous when leaving the house for some time after its publication. In the years following this, Pope continued to write satires and moral essays, including An Essay on Man in 1733–1734. After 1738, Pope began to revise and add to his Dunciad, completing it in 1742.

Pope's ill health took a turn for the worse and he died on 30th May 1744 at the relatively young age of 56.

He remains one of the most-quoted writers in the English language, and his work dominated his era to such an extent that he inevitably fell out of fashion for some time afterwards, particularly with the Romantics, who saw him as a wit rather than a true poet. However, this has not affected Pope's reputation in the long term, and his work is still hailed as among the greatest today.
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1688, 21st May

Birth

Born in London, Pope was the son of a linen merchant.
1688–1744

Catholicism

Pope was brought up as a Catholic at the time of the Test Acts introduced to promote and support the Church of England. The Test Acts also deprived Catholics of their rights to education, voting and holding public office.

More background on the Test Acts

1698

Education

Pope was initially educated at home, being taught to read by his aunt and only belatedly attending Twyford School in 1698. However, the young Pope was an avid reader of classical literature, particularly works by Horace, Juvenal, Homer and Virgil, as well as the writings of William Shakespeare and Geoffrey Chaucer and major figures of the Enlightenment such as John Dryden. In addition, Pope studied a number of languages, both classical and living.
1700

Childhood illnesses

As a boy, Pope suffered a number of serious illnesses, including a form of spinal tuberculosis called Pott’s disease when he was 12 years old. The illness ensured his growth would be stunted. As a result, Pope was only 4’6” in height and also developed a number of recurring ailments including difficulty in breathing.
1709

Publication and criticism

His first published work was ‘Pastorals’ which was included in part six of Jacob Tonson’s Poetical Miscellanies. The work was well received and brought Pope to the attention of the literary world, including members of John Dryden’s coterie such as Restoration dramatists William Congreve and William Wycherley. Pope also befriended the Blount sisters, one of whom, Martha, was the closest he had to a romantic companion throughout his life.
1711

Publication and stylistic development

Pope published ‘An Essay On Criticism’, a mildly satirical poem in heroic couplets on the subject of whether poets should abide by the rules of classical literature or write in a more personal, naturalistic way. In his lifetime, Pope was to be recognised as the prime exponent of the heroic couplet in iambic pentameter. His was a distinctively epigrammatic style characterised by great skill in employing allusions to the literature of the past.
1711

Fellowship with other writers

Pope formed the Scriblerus Club with John Gay, Jonathan Swift, Thomas Parnell and John Arbuthnot. These were writers with an allegiance to the Tory Party, and the purpose of the club was to produce poetry written under the guise of one Martinus Scriblerus which satirised social mores and intellectual behaviour that the writers considered ignorant.

An informative SlideShare on the subject of the Scriblerus Club

1712 (rev. 1714)

The publication of ‘The Rape Of The Lock’

Arguably Pope’s most famous poem, ‘The Rape of the Lock’, is a mock-epic that satirises the exaggerated mannerisms, lavish consumption and sense of self-importance of members of high society. The poem describes the fury of ‘Belinda’ (a persona said to represent Lady Arabella Fermor) after Lord Petre cut off a lock of her hair against her wishes. The poem’s use of ironic overstatement draws a mocking parallel between the trivial dispute that is its subject and the great battles of the original classical epics.
1715–1720

Translation work

Pope translated the volumes of Homer’s Iliad from Ancient Greek into English. One volume per year was produced and made available to the public by subscription over six years.
1719

Success and financial independence

After the success of his initial translations of the Iliad, Pope acquired a villa in Twickenham where he developed a passion for gardening and landscaping. The gardens and grottoes at the villa became well known.

More information about Pope’s grotto : Anthony Beckles Willson, ‘Alexander Pope’s Grotto in Twickenham’, Garden History, 26: 1, 1998, pp. 31–59

1723–1725

Transcriptions

Pope was commissioned by publisher Jacob Tonson to write The Works of Shakespeare in six volumes.
1726

Controversy

Pope took certain liberties with Shakespeare’s original texts, adding greater metrical regularity and rewriting certain lines as well as editing out approximately 1,560 lines of Shakespeare's material, citing his own personal taste as the justification for so doing. In 1726, lawyer and poet Lewis Theobald attacked Pope in a pamphlet entitled ‘Shakespeare Restored’, which indicated textual errors and revisions on Pope’s part.
1725–1726

Translation work

Pope translated (with William Broome and Elijah Fenton) Homer’s Odyssey from Ancient Greek into English. The translation was in five volumes.
1728–1743

The publication of ‘The Dunciad’

Initially published anonymously, ‘The Dunciad’ was published in three books in 1728. The second version and the ‘Dunciad Variorum’ appeared in 1729. The revised three-book version and an additional fourth book were published as ‘The Dunciad in Four Books’ in 1743.
1728–1743

Controversy

In ‘The Dunciad’ and its revised versions, Pope attacked certain ‘dunces’ such as lawyer and poet Lewis Theobald (who had criticised his work on Shakespeare) and the Poet Laureate, Colley Cibber. Pope was subsequently attacked by allies of his targets as well as the targets themselves, and this had a negative effect on his reputation. In addition, as an assault on the financial liberation brought about by the Whig government of Robert Walpole, the poem brought Pope (as it did Jonathan Swift for Gulliver’s Travels) powerful political enemies. One result of this was the false claim by Pope’s enemies that he was attacking the Duke of Chandos and his estate, Cannons, for wasteful extravagance in his poem of 1731, ‘Epistle to Burlington’. Although untrue, this caused Pope’s reputation added damage.

For added background on Pope’s disputes, and specifically the long-running one with Colly Cibber see: Charles D Peavy, ‘Pope, Cibber, and the Crown of Dulness’, The South Central Bulletin, 26:4 [Johns Hopkins University Press, South Central Modern Language Association], 1966, pp. 17–27

1732–1734

Philosophical beliefs

‘An Essay on Man’ is a philosophical poem which elucidated Pope's view of the universe as a perfect divine construct, the apparent flaws in which were the consequence of human limitations in understanding its ordered structure. Humans, for Pope, occupied the middle ground between angels and animals, and human happiness depended upon an acceptance of this fact. It was a human duty to rely on hope and develop faith in God’s plan for human beings. Such beliefs were relatively conventional and in line with much prior Western philosophy from classical times onward.
1733–1738

The Augustan style of imitation

Pope’s ‘Imitations of Horace’ were an example of the Augustan trend to imitate a classical poet, adding references relevant to a contemporary readership. The imitations were in both Latin and English, on pages facing one another, but the English displayed the flourishes and wit now familiar from Pope’s writing. Horace provided Pope with a model to launch a satirical attack on the reign of George II, points of contention being corruption in Walpole’s Whig government and the perceived lack of artistic appreciation at George’s royal court.
1744, 30th May

Died

Pope was buried in Twickenham, in the nave of the Church of St Mary the Virgin.
1953–1967

Literary recognition

A definitive Twickenham edition of Pope's poems was published in 10 volumes.
1711–2021

Critical reception

In his lifetime, from the publication of ‘An Essay on Criticism’ in 1711 onward, Pope became the first English poet to be celebrated at the same time in France and Italy and other parts of Europe. His poems were translated in his lifetime into both living and ancient languages.

While feted in his lifetime, after Pope’s death the Augustan style of literature, defined most often by irony and imitation, fell out of favour. The Romantic poets of the early nineteenth century, for example, thought Pope’s work a triumph of technique over passion, although Lord Byron claimed him as an influence. This general ambivalence towards Pope’s work was largely due to the fact that he had exhausted the potential of the heroic couplet, leaving little scope for its use by the poets that followed him; consequently, it was used sparingly by the great poets that followed. In the twentieth century, Pope’s skills as an observer of the mores of his time were more highly valued as they gave readers valuable insight into early to mid eighteenth-century England.
2021

Legacy

Between 1716 and 1719, Pope lived in his parents' house in Chiswick, which is now a public house, the Mawson Arms. Pope is commemorated with a blue plaque outside.

In em> The Oxford Dictionary of Quotations, Pope is the third most quoted poet after Shakespeare and Tennyson.

Pope's Grotto Preservation Trust has restored the grotto at his Twickenham villa and this will be periodically open to the public from 2023.