Delaney, Shelagh
Delaney’s style is completely unique. Her multidimensional portrayals of the working class stand out through her insight and dialect but, perhaps most importantly, her refusal to idealise characters on the basis of their gender, race or sexuality. Her themes, such as positive portrayals of interracial relationships and homosexuality and negative portrayals of parenthood, were shocking at the time. She was no hypocrite and refused to give her original script of A Taste of Honey to Salford Council once she became famous because they had at first claimed her work brought shame to their city. Her work went through a phase of not being performed very often, but in 2018 there was a production at the Oldham Coliseum Theatre, and the National Theatre took the play on tour in 2019. Delaney’s themes such as teenage pregnancy are still very relevant today, and her ‘kitchen sink’ style drama reveals much about the UK’s history and about cultural attitudes of the 1950s.Image from ZigZag Education resource 1419
Show / hide details
1938 |
Shelagh Delaney born
|
|
1953 |
School
|
|
1958 |
A Taste of Honey
|
|
1959 |
Award
|
|
1960 |
The Lion in Love
|
|
1961 |
TV dramatisation
|
|
1962 |
BAFTA
|
|
1963 |
Sweetly Sings the Donkey
|
|
1985 |
More awards
|
|
1986 |
The Smiths
|
|
2003 |
Radio plays
|
|
2011 |
Death
|